加入我的最愛商店
今日商品數 1834
評價分數 (1521)
留言版 (160)
瀏覽人次 (49388)
平均出貨天數 (1)
SACD特價活動開始電子報
絕響唱片發燒影音商店EDM
看所有商品列表 »
看最新上架商品 »
711超商取貨付款 »
OK萊爾富全家超商取貨付款 »
發燒CD
古典音樂CD
黑膠唱片Vinyl
DVD audio 音樂影音光碟
DVD Video (含藍光)音樂影音光碟
SACD超級音樂光碟
咖啡音樂廳
日本SONY Blu-spec 藍光CD
Reel tape 盤帶
音樂周邊商品(CD空殼 OPP袋.等)
銷售廠牌查詢
代理廠牌
生活 / 露營商品 系列
開心特價區
環保無毒餐具商品
茶 咖啡 周邊商品
音響配件
店面介紹
購物說明
購物車
留言版 (160)
客服
回首頁
絕響唱片發燒影音商店
  本店一律不接受pchome的現金積點兌換折價券 凡購買本店商品使用了-現金積點兌換折價券- 訂單一律取消 這現金積點兌換折價券無回饋給商家,所以拒絕接受 購滿3000元以上免運費
PChome > 商店街首頁 > 音樂與影片 > 絕響唱片發燒影音商店 > Clear Audio
 


〈商品編號:M13318638〉
獲得現金積點:8 (1點=1元) 說明
15天鑑賞期
給予買家商品15天鑑賞期,品鑑商品更充裕
退貨無負擔
黑貓宅急便到府收件退貨商品,退貨便利無運費
假一賠二
非真品承諾商品退款再賠償該商品金額
(詳見說明)
 

黑膠唱片180g WOLFGANG SCHNEIDERHAN MOZART: CONCERTO FOR VIOLIN & ORCHESTRA NO. 4 & 5

許奈德罕 小提琴演奏莫札特小提琴協奏曲
貨號: 139463
建議售價 $1199
一次付清特價 66 折 800
線上分期價
3 每期$278 接受31家銀行
6 每期$140 接受31家銀行
12 每期$73 接受30家銀行
15 每期$59 接受6家銀行
24 每期$38 接受13家銀行
信用卡紅利折抵刷卡金 ( 接受19家銀行紅利折抵辦法 )
優惠活動
筆筆回饋3.5% P幣,限時再加碼3.1%!

筆筆回饋3.5% P幣,限時再加碼3.1%!

* Pi 拍錢包綁定 Pi 信用卡付款,回饋3.5%無上限
* Pi 拍錢包綁定任一銀行信用卡付款,指定日期滿額加碼回饋3.1% P幣
P幣詳細說明>
付款方式 
超商付款
取貨付款
運  費單店購物車滿 3000 元(含)以上免運費,未滿者自付運費
郵局 80
7-11取貨付款 60
7-11純取貨 60
全家、OK、萊爾富取貨付款 60
全家、OK、萊爾富純取貨 60***
商品如需寄送至台灣本島以外,請先行與店家聯繫運費金額
  
加入追蹤加入追蹤 留言版留言版(160)
分享到
 

黑膠唱片180g WOLFGANG SCHNEIDERHAN  MOZART: CONCERTO FOR VIOLIN & ORCHESTRA NO. 4 & 5
許奈德罕 小提琴演奏莫札特小提琴協奏曲
貨號: 139463 
 
 
黑膠唱片180g WOLFGANG SCHNEIDERHAN MOZART: CONCERTO FOR VIOLIN & ORCHESTRA NO. 4 & 5
Number: 139463

SIDE 1:

Mozart: Concerto for violin & orchestra No. 4
01. Allegro
02. Andante cantabile
03. Rondeau: Andante grazioso – Allegro ma non troppo

SIDE 2:

Mozart: Concerto for violin & orchestra No. 5
01. Allegro aperto
02. Adagio
03. Rondeau: Tempo di Menuetto – Allegro

 

 Description: 

 

奧地利小提家Wolfgang Schneiderhan (施奈德漢) 指揮Berliner Philharmoniker (柏林愛樂)及演出 Mozart: Concerto for violin & orchestra No. 4 & 5 (莫札特小提琴協奏曲第四號及第五號),從容大方,自然平和之風格,著是令人難忘。德國Clearaudio出品,180g 重量級黑膠,Made in Germany 。

The Concertos in D major, K. 218, and in A major, K. 219, like the three other Mozart Violin Concertos whose authenticity is undoubted, date from 1775. Mozart was then nineteen, and was leader of the Prince-Archbishop's Court Orchestra in his native Salzburg. The years spent at Salzburg prior to his journey to Mannheim and Paris (1777/79) may be described as the "galant" period of Mozart's life. The compositions of this time correspond to the concept of the serene Mozart, a "Raphael of music", the master who "did not represent the fermenting of the passions in his art, but completely overcame all that was impure and disturbing, to produce perfect beauty" (Jahn). Mozart's Violin Concertos could be described as a particular form of divertimento, and compared to the serenades which he wrote in Salzburg at about the same time. Agreeable and songlike elements form the melodic style. All thoughts of pain and grief seem to have been banished; the listener finds himself in an Arcadian landscape where grace and serenity reign supreme.

The Concertos K. 218 and K. 219 conclude the group. While conventional features are unmistaken-able in the first two Concertos (K. 207 and K. 211), in which Mozart employed certain stereotyped elements of the serenade style, the Concertos K. 216, K. 218, and in particular the A major Concerto K. 219, are incomparably individual in character. The opening of the A major Concerto is a good example of: the freedom with which Mozart handled the traditional for-mal pattern of a concerto: in this Allegro the orchestral exposition is immediately followed not by the solo violin's entry with the theme, but by an unexpected slow bridge passage, a recitative in which the solo violin, accompanied by arabesques of the other violins and delicate oboe and horn chords, prepares and "tries out" its theme. Only after this does the Concerto really begin: the orchestra plays almost exactly as it had at the opening, but the solo violin now overtops it with the principal theme.

The D major Concerto, K. 218, has an unusual history. It was believed that Mozart had based his composition on the Violin Concerto in D major of Luigi Boccherini, perhaps unconsciously, presenting the musical ideas of another composer, whose nature was akin to his, in a new musical context. Recently, however, the belief has been hardening that the Boccherini Violin Concerto is spurious - that this was not a case of Mozart imitating Boccherini, but that the alleged Bocdierini Concerto is apocryphal, having been based on Mozart's composition.

 

 Reviews: 

 

 HI FI REVIEW (1/10/2011) Author: 劉志剛

WOLFGANG SCHNEIDERHAN

Clearaudio翻DG名盤的最新一件,是施耐德漢(Wolfgang Schneiderhan)「又拉又指」 的莫札特第四、第五小提琴協奏曲。

施耐德漢都算是個傳奇。在第一次大戰期間於維也納出生,卒於2002年。跟過Otakar Sevcik學過一段短時間(Sevcik教出了Jan Kubelik, Efrem Zimbalist和Erika Morini等),施氏住英國時跟Chaliapin, Paul Robeson等巨星同台演出。後來回到維也納,十七歲就擔任維也納,交響樂團的樂隊首席;後來更出任維也納愛樂的concertmaster。戰爭時期參與過Richard Strauss六重奏發表前的排練及「私人」首演。

1951年,施氏離開維也納愛樂,也解散了自己的絃樂四重奏,旨在重新以獨奏家身份活躍樂壇。由於有DG支持。施氏灌錄了不少核心古典範疇的協奏曲與奏鳴曲,拍檔皆為一時俊彥。

蓋棺論定,施耐德漢的專精範疇是德奧經典一一莫札特、貝多芬、舒伯特,施耐德漢有鋪「作cadenza」的癮,他的莫札特協奏曲錄音是「最佳之一」,幾乎是公論了: exquisitely played, in Classical Viennese style。

這是怎樣一回事呢?琴音恬靜清爽,樸貿無華:輕輕鬆鬆的,沒有過度的表情。技巧乾淨,收音不留雜質,尾韻控制卻又很高明,頗堪回味!

從前聽CD(指舊版CD),施耐德漢的音色有一份懷舊的「舊銀器」般的色澤。「大禾花」版CD(The Originals)讓音色鮮起來。這張Clearaudio LP居然更鮮美,令人以為這是相當近代的一個錄音呢!

 

本商品免運費額度只限於台灣澎湖金門馬祖及香港區域.
This products postage free charge just only for Taiwan and Hong Kong customer.
詳情請見 絕響唱片發燒影音商店 購物說明
如對本產品有任何問題,請洽 絕響唱片發燒影音商店 客服中心